How to warp the circular heart loom

Here’s a short video showing how to warp the circular heart loom. A standard warp heart loom is also available in my shop.

Thanks to Kim (@sumiandme) for this tutorial. Here is a photo of her finished heart.

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Happy weaving!

Weaving the L.A. River

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I was going to write Part 2 of my spinning adventures, but I really wanted to write about what I have been working on the last two weeks. Some very dear and long-time friends are designing a permanent installation of a Day of the Dead altar for the Natural History Museum and commissioned me to weave the LA. River as part of the piece. It was a great project, so of course, I said yes, then I found out the short deadline and the size. It needed to be 6-7 inches tall x 10 feet wide which ordinarily wouldn’t be a big deal, but in this case the waves need to go horizontally and I couldn’t use one of my regular looms. I decided to build a loom. I made it 12″ x 5 ft. figuring I could weave the piece in two sections and then splice them together. It was a little more work than I thought since first I had to measure 1/4″ marks on both sides and then hammer in 600 nails. Yes, 600 NAILS!!  Here’s a pic of me starting the piece on my homemade loom. Please ignore the mess in the background, there’s no time for housework when working on a project like this, lol!

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I jumped right in and didn’t even take the time to make a sketch. It was design on the fly! Not the way I normally work, but time was short. The loom was a bit cumbersome, but worked great!

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After many hours and late nights of weaving, the first panel was done. It was a great feeling and I was pretty pleased with how it came out, until I realized I needed to weave the other panel. I was pretty exhausted from running my graphic design business during the day and then weaving into the wee hours every night. But, I had to buck up and weave part two, which thankfully seemed to go a bit faster.

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I finished it in time (whew!) and here is a pic of the piece just installed on their altar.

Of course, I now keep wondering if it would have been easier to weave it on my Saori loom using the comb reed. Best not to drive myself crazy and think about that too much, I guess. It was a challenging project and I am happy with the result and so were they. I also like knowing that I contributed to this representation of a tradition in my culture that will be part of a permanent installation in a museum.

Yes, I needed and deserved a long sleep after this.

 

Handwoven Necklaces

Once again, it’s been way too long since I’ve posted on my blog. There has been lots going on in the studio, but for today I am just going to focus on the necklaces I have been making.

Most of these are handwoven on either an inkle loom or small lap loom. I have been collaborating with a lovely ceramic artist, Ann Cutting who has made the medallions for the necklaces. These pieces are primarily woven with linen, hemp, silk and/or cotton. The red necklace has a polished slice of tagua nut as it’s focal piece.

Tagua is a natural, eco-friendly, and non-toxic material found in Ecuador and other South America countries. The nut’s texture and the color are known as vegetable ivory. Wouldn’t it be nice if this alternative ivory reduced the slaughter of elephants? When the nuts are harvested, they are very soft and they can be eaten as a fruit. As it matures it becomes hard like animal’s ivory.

Each piece is unique and I rarely make duplicates. If you are interested in any of my pieces, please visit my Etsy shop.